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Dorothy Arzner was the exception in Hollywood film history--the one woman who succeeded as a director, in a career that spanned three decades. In Part One, Dorothy Arzner's film career--her work as a film editor to her directorial debut, to her departure from Hollywood in 1943--is documented, with particular attention to Arzner's roles as "star-maker" and "woman's director." In Part Two, Mayne analyzes a number of Arzner's films and discusses how feminist preoccupations shape them, from the women's communities central to Dance, Girl, Dance and The Wild Party to critiques of the...

" The Woman at the Keyhole is one] of the most significant contributions to feminist film theory sin ce the 1970s." SubStance

..". this intelligent, eminently readable volume puts women's filmmaking on the main stage.... serves at once as introduction and original contribution to the debates structuring the field. Erudite but never obscure, effectively argued but not polemical, The Woman at the Keyhole should prove to be a valuable text for courses on women and cinema." The Independent

When we imagine a "woman" and a "keyhole," it is usually a woman on the other side of the...