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What did Thomas Jefferson look like? How did he carry himself? Such questions, reasonable to ask as we look back on a person who lived in an era before photography, are the starting point for this boldly original new work. Maurizio Valsania considers all aspects of Jefferson's complex conception of -the body, - from eighteenth-century clothing and fashion to manners, adornment, posture, gesture, and visual and material culture. Drawing also from the fields of medical science, psychology, and cultural anthropology, the author conjures a vivid and detailed re-creation of the third president...

The Limits of Optimism works to dispel persistent notions about Jefferson's allegedly paradoxical and sphinx-like quality. Maurizio Valsania shows that Jefferson's multifaceted character and personality are to a large extent the logical outcome of an anti-metaphysical, enlightened, and humility-oriented approach to reality. That Jefferson's mind and priorities changed over time and in response to changing circumstances indicates neither incoherence, hypocrisy, nor pathology.

Valsania's reading of Jefferson, the Enlightenment, and negativity helps to make sense of the many...

The Limits of Optimism works to dispel persistent notions about Jefferson's allegedly paradoxical and sphinx-like quality. Maurizio Valsania shows that Jefferson's multifaceted character and personality are to a large extent the logical outcome of an anti-metaphysical, enlightened, and humility-oriented approach to reality. That Jefferson's mind and priorities changed over time and in response to changing circumstances indicates neither incoherence, hypocrisy, nor pathology.

Valsania's reading of Jefferson, the Enlightenment, and negativity helps to make sense of the many...