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Maurizio Bettini argues that oral culture, because it does not have an inexhaustible memory at its disposal, tends to preserve its cultural inheritance. But written culture forgets nothing: but when everything can be recalled or somehow retrieved, the problem becomes what to remember and what to consign to oblivion.

This provocative book, written with a light touch, rooted in the Classics but ranging over the whole of Western literary culture, addresses many of the major issues that face us at the turn of the millennium. What is our shared cultural currency? What use - good or bad -...

Poetry in archaic and classical Greece was a practical art that arose from specific social or political circumstances. The interpretation of a poem or dramatic work must therefore be viewed in the context of its performance. In Poetry, Public, and Performance in Ancient Greece, Lowell Edmunds and Robert W. Wallace bring together a distinguished group of contributors to reconstruct the performance context of a wide array of works, including epic, tragedy, lyric, elegy, and proverb.

Analyzing the passage in the Odyssey in which a collective delirium comes over the...