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The Harlem Renaissance was a watershed moment for racial uplift, poetic innovation, sexual liberation, and female empowerment. Aphrodite's Daughters introduces us to three amazing women who were at the forefront of all these developments, poetic iconoclasts who pioneered new and candidly erotic forms of female self-expression. Maureen Honey paints a vivid portrait of three African American women--Angelina Weld Grimke, Gwendolyn B. Bennett, and Mae V. Cowdery--who came from very different backgrounds but converged in late 1920s Harlem to leave a major mark on the literary landscape. She...

The Harlem Renaissance was a watershed moment for racial uplift, poetic innovation, sexual liberation, and female empowerment. Aphrodite's Daughters introduces us to three amazing women who were at the forefront of all these developments, poetic iconoclasts who pioneered new and candidly erotic forms of female self-expression. Maureen Honey paints a vivid portrait of three African American women--Angelina Weld Grimke, Gwendolyn B. Bennett, and Mae V. Cowdery--who came from very different backgrounds but converged in late 1920s Harlem to leave a major mark on the literary landscape. She...

Three years before the civic-minded Carol Kennicott came to life in Main Street, Una Golden was confronting the male dinosaurs of business. Like Carol, the heroine of The Job is one of Sinclair Lewis's most fully realized creations. Originally published in 1917, The Job was his first controversial novel. A "working girl" in New York City, Una Golden-caught in the dilemmas of marriage or career, husband or office, birth control or motherhood-is the prototype of the businesswoman of popular and literary culture. Introducing this Bison Books edition of The Job is Maureen Honey, a professor of...

The New Woman-an independent, nontraditional, usually career-minded woman for whom marriage and family were secondary-became a popular heroine in women's magazine fiction from the time of World War I through the 1920s. During this period, American culture entertained a new, feminist vision of gender roles that helped pave the way for modern images of women in public activity. The stories in this collection are drawn from the biggest periodicals of the day-Ladies' Home Journal, Cosmopolitan, Good Housekeeping, Woman's Home Companion, and McCall's-as well as the African-American magazine The...

Georgia Douglas Johnson (1877–1966) was the most prolific female writer of the Harlem Renaissance. Born as Georgia Blanche Douglas Camp in 1877 in Atlanta, Georgia, Johnson devoted much of her artistic imagination to indexing African American women’s interior life and advancing the means through which to achieve interracial cooperation. After a Thousand Tears represents the only extant poetry collection that Johnson authored between 1928 and 1962, and it illustrates her more nuanced and transgressive prescription for gender, racial, and national advancement. Although scholars have...