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The second novel from the Wellcome-Prize longlisted author of Astroturf

Interviewed in 1966, Geoffrey Hill said, 'Language contains everything you want - history, sociology, economics: it is a kind of drama of human destiny'. This book shows how the work of one of the major post-war writers in English has been charged by a mythological sense of language's historical drama, by reading the whole body of Hill's poetry from sixty years against a tradition of visionary poet-philologists that he himself has delineated. That line runs from the present-day editors of the Oxford English Dictionary, through Gerard Manley Hopkins and Richard Chenevix Trench in the Victorian...

'I loved Matthew Sperling's sly, subversive novel, a wickedly funny tale of how to come out on top in a fake news world.' Olivia Laing, author of The Lonely City 'Outrageous, sexy and funny. Sperling writes with the caustic economy of Waugh or Spark, but his characters have more heart, including the sock-puppets.' Luke Kennard, author of The Transition 'A tale about steroids which seems to be on steroids itself: sleek, muscular and just slightly too real.' Kate Clanchy, author of Meeting the English Good things can happen when you do bad things At thirty, Ned is in a rut. His...