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A Sacrificial Zinc impels the reader on a journey into the nature of place. Written out of a vanished suburban landscape, Matthew Cooperman's book -- part navigational trope, part metaphor of embodiment -- enacts the complex weave of identity as a series of places, lovers, influences, and natural objects. The landscape itself is beautifully particularized as the desert and mountain spaces of the American West, and the flora and fauna of the Pacific Rim. From "the blue Pacific exactly the color of cold" to "the magnolia leaves [of California] / in the first scuttle of fall", these lovely poems...

WINNER OF THE NEW MEASURE POETRY PRIZE - FREE VERSE EDITIONS, edited by JON THOMPSON - "SPOOL'S a year 'written in threes'-its three word lines forming narrow columns or perhaps threads. 'Thread' is a word Cooperman explicitly associates with the lyric here and it is also Ariadne's thread of rescue or at least return though, at times, 'the tape is/broken now so / sick and slck.' To change up the metaphor, as this poem does, SPOOL is a hive of words continuously active and also continuously threatened with a sort of colony collapse. Written in conversation with past greats such as Shakespeare,...

Articulating the search for a cohesive American identity, Matthew Cooperman's poetry attends to the slippery question of place: its history in personal and cultural memory and its tenuous constitution as family, nature, love, and community. Cooperman uses the metaphor of travel to invoke the necessary motion and distance required to look back at one's past.