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"The division's expendables." That's what one division commander called the 1/9th Cavalry Blues during the Vietnam War. The Blues were perpetually understrength aero-rifle platoons considered to be acceptable losses in hopeless situations-but their amazingly successful record proved otherwise.

A harrowing firsthand account of mortal combat, this is the remarkable story of the soldiers who served in the First Air Cavalry Division's reconnaissance squadron. Included is the account of an air-ground raid that overran a regimental command post and killed more high-ranking enemy officers...

The goal of any web copywriting and business blogging is obviously to sell more, but are your efforts working?

Content marketing success is all about creating content with your readers' interest in mind. Remember, they sought you out - and they can just as easily leave. In other words, they are not a captive audience. So you have to do everything possible to provide immediate value.

Write Right - Sell Now is your definitive guide for web content writing that sells.

When Genres Collide is a provocative history that rethinks the relationship between jazz and rock through the lens of the two oldest surviving and most influential American popular music periodicals: Down Beat and Rolling Stone. Writing in 1955, Duke Ellington argued that the new music called rock 'n' roll "is the most raucous form of jazz, beyond a doubt." So why did jazz and rock subsequently become treated as separate genres?

The rift between jazz and rock (and jazz and rock scholarship) is based on a set of received assumptions about their fundamental...

When Genres Collide is a provocative history that rethinks the relationship between jazz and rock through the lens of the two oldest surviving and most influential American popular music periodicals: Down Beat and Rolling Stone. Writing in 1955, Duke Ellington argued that the new music called rock 'n' roll "is the most raucous form of jazz, beyond a doubt." So why did jazz and rock subsequently become treated as separate genres?

The rift between jazz and rock (and jazz and rock scholarship) is based on a set of received assumptions about their fundamental...

Is there such a thing today as music that's meaningfully new? In our contemporary era of remixing and retro styles, cynics and romantics alike cry "It's all been done before" while record labels and media outlets proclaim that everything is new. Coded into our daily conversations about popular music, newness as an artistic and cultural value is too often taken for granted.

Nothing Has Been Done Before instigates a fresh debate about newness in American pop, rock 'n' roll, rap, folk, and R&B made since the turn of the millennium. Utilizing an interdisciplinary approach...

Is there such a thing today as music that's meaningfully new? In our contemporary era of remixing and retro styles, cynics and romantics alike cry "It's all been done before" while record labels and media outlets proclaim that everything is new. Coded into our daily conversations about popular music, newness as an artistic and cultural value is too often taken for granted.

Nothing Has Been Done Before instigates a fresh debate about newness in American pop, rock 'n' roll, rap, folk, and R&B made since the turn of the millennium. Utilizing an interdisciplinary approach...