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Pleasures of Horror is a stimulating and insightful exploration of horror fictions--literary, cinematic and televisual--and the emotions they engender in their audiences. The text is divided into three sections. The first examines how horror is valued and devalued in different cultural fields; the second investigates the cultural politics of the contemporary horror film; while the final part considers horror fandom in relation to its embodied practices (film festivals), its "reading formations" (commercial fan magazines and fanzines) and the role of special effects.

Pleasures of...

Pleasures of Horror is a stimulating and insightful exploration of horror fictions--literary, cinematic and televisual--and the emotions they engender in their audiences. The text is divided into three sections. The first examines how horror is valued and devalued in different cultural fields; the second investigates the cultural politics of the contemporary horror film; while the final part considers horror fandom in relation to its embodied practices (film festivals), its "reading formations" (commercial fan magazines and fanzines) and the role of special effects.

Pleasures of...

Before Saturday March 26th 2005, Doctor Who had been off the air as a regular, new TV series for more than fifteen years; until a production team led by Russell T. Davies re-imagined the program so successfully, so triumphantly, that it's become an instant Christmas tradition, a BAFTA winner, an international ""superbrand"" and a number one rated show. It's even been credited with reinventing family TV. This is the first full-length book to explore the ""new Who"" phenomenon through to the casting of Matt Smith as the new Doctor. It explores ""Doctor Who"" through contemporary...

Instead of approaching cultural theory as a set of pronouncements to be learned, this book considers why lecturers, students and cultural producers and consumers outside the university system might all want to theorize what culture is and how it works. Taking its cue from J L Austin's infamous How to Do Things With Words, which argued that language doesn't just reflect the world but is used to achieve things in the world, this book approaches cultural theory as something to be used, performed, adapted, transformed and created in new contexts by its own consumer-producers. How To...