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This study examines how an artist construed himself as cultural heritage by the turn of the 19th century, how this heritage was further construed after his death, and how the artworks can be made to further new approaches and insights through a digital archive (aroseniusarchive.se). The study employs the concept of 'staging' to capture the means used by the artist, as well as by reception, in this construal. The question of 'staging' involves not only how the artist has been called forth from the archives, but also how the artist can be called forth in new ways today through digitization. The...

Within the rhetorical tradition lay an often unnoticeable, but at times marked suspicion about what was perceived to be effeminate and voluptuous language. Sensual and pleasurable language was thus understood as immoral in the same way as excessive corporeal pleasures were considered detrimental, and the notion of voluptuous language could result in a tension concerning the delights of poetry. This study develops ways to analyse how this poetic ambivalence affected poetry in early modern Sweden, where the notion of voluptuous language became especially strong, not only influencing poetry but...

What is the soul of poetry? The most influential answer was probably given in "Aristotle's Poetics". This title intends to clarify the Aristotelian tradition by demonstrating how interpretations of "Aristotle's Poetics" have vacillated between two particularly dominating instances of mimesis.