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The City in Theory Photography and Film. Learning from Las Vegas - published in 1972 by the American architects Robert Venturi, Denise Scott Brown, and Steven Izenour - marks the turn in architectural theory from modern to postmodern. Las Vegas in the Rearview Mirror explores the significance of this controversial publication by situating it in the artistic, architectural, and urbanist discourse of the 1960s and 70s, and by evaluating the books enduring influence of visual studies and architectural research. Referencing cinematic visuals, Learning from Las Vegas documented a sprawling postwar...

If participation has been an ideal in politics since ancient democracy, in art it became central only with the avant-gardes emerging from WWI and the Russian Revolution. Politics and aesthetics are still catching up with each other. In the 21st Century, since the revolutionary unrest of the 1960s, participation in art and architecture has lost its utopian glow and become the focus of a fierce debate: does participatory art and architecture shape social reality, or is it shaped by it?Contemporary critics see in participation only technocratic control, while others embrace it as a viable...

If participation has been an ideal in politics since ancient democracy, in art it became central only with the avant-gardes emerging from WWI and the Russian Revolution. Politics and aesthetics are still catching up with each other. In the 21st century, since the revolutionary unrest of the 1960s, participation in art and architecture has lost its utopian glow and become the focus of a fierce debate: does 'participatory' art and architecture shape social reality, or is it shaped by it? Contemporary critics see in participation only technocratic control, while others embrace it as a viable...