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Im Umgang mit den eigenen Eltern werden viele von uns gefühlt wieder zu Kindern. Die Eltern-Kind-Beziehung bestimmt immer noch unser Verhalten und unser emotionales Erleben. Eine "Entelterung" wird notwendig, also der Ausstieg aus ungesunden emotionalen Abhängigkeiten. Es geht darum, den Eltern nicht mehr mit den gleichen Anpassungsstrategien zu begegnen, die als Kind nötig waren, um in der Familie einen Platz zu finden. Sandra Teml-Jetter und Martin Wall zeigen in ihrem Buch, wie es gelingt, sich aus familiären Verstrickungen und alten Mustern zu lösen und sich im Hier und Heute zu...

Matty's mother tells him he will take part in the most important thing ever to happen in history. Why him, a meek and lowly stable mouse? All Matty the manger mouse wants to do is snuggle into the warmth of his mother and fall asleep but the Creator of the world has another plan for him. Will the little stable mouse surrender to his own needs or bow to the will of the Savior?

Children and adults will be touched by Matty's brave little heart. As the story of that first Christmas unfolds, come join Matty and all the other stable dwellers...

Written and directed by two white men and performed by an all-black cast, Nothing But a Man (Michael Roemer, 1964) tells the story of a drifter turned family man who struggles with the pressures of small-town life and the limitations placed on him and his community in the Deep South, an area long fraught with racism. Though unmistakably about race and civil rights, the film makes no direct reference to the civil rights movement. Despite this intentional absence, contemporary audiences were acutely aware of the social context for the film's indictment of white prejudice in America. To help...

Written and directed by two white men and performed by an all-black cast, Nothing But a Man (Michael Roemer, 1964) tells the story of a drifter turned family man who struggles with the pressures of small-town life and the limitations placed on him and his community in the Deep South, an area long fraught with racism. Though unmistakably about race and civil rights, the film makes no direct reference to the civil rights movement. Despite this intentional absence, contemporary audiences were acutely aware of the social context for the film's indictment of white prejudice in America. To help...

Ivan Dixon's 1973 film, The Spook Who Sat by the Door, captures the intensity of social and political upheaval during a volatile period in American history. Based on Sam Greenlee's novel by the same name, the film is a searing portrayal of an American Black underclass brought to the brink of revolution. This series of critical essays situates the film in its social, political, and cinematic contexts and presents a wealth of related materials, including an extensive interview with Sam Greenlee, the original United Artists' press kit, numerous stills from the film, and the original...

Ivan Dixon's 1973 film, The Spook Who Sat by the Door, captures the intensity of social and political upheaval during a volatile period in American history. Based on Sam Greenlee's novel by the same name, the film is a searing portrayal of an American Black underclass brought to the brink of revolution. This series of critical essays situates the film in its social, political, and cinematic contexts and presents a wealth of related materials, including an extensive interview with Sam Greenlee, the original United Artists' press kit, numerous stills from the film, and the original...