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Landscape is everywhere in film, but it has been largely overlooked in theory and criticism. This book addresses questions, such as: What kind of landscape is cinematic landscape? How is cinematic landscape different from landscape painting?

First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.

Thanks to modern technology, we are now living in an age of multiplatform fictional worlds, as television, film, the Internet, graphic novels, toys, and more facilitate the creation of diverse yet compact imaginary universes, which are often recognizable as brands and exhibit well-defined identities. This volume, situated at the cutting edge of media theory, explores this phenomenon from both theoretical and practical perspectives, uncovering how the construction of these worlds influences our own determination of values and meaning in contemporary society.