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In this wide-ranging examination of the concept of zhi ("the heart's intent") as the foundation of Chinese aesthetics, Marthe Atwater Chandler places traditional Chinese aesthetics in conversation with contemporary Chinese theory and traditional western philosophy. Poetry, music, painting, and calligraphy played much the same role in the development of thought in China as science did for philosophy in the west, with important implications for the relationship between art, religion, politics, and morality. Inspired by the work of Li Zehou, a leading contemporary Chinese philosopher and...