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In Paint Made Flesh, expressive figuration is considered as a reflection of artists' responses to such topics as identity, sexuality, and mortality, and as a symptom of a broader spectrum of social and political attitudes shaping Western culture since World War II. It features art from the United States, Great Britain, and Germany, countries that have since the 1950s produced many artists who use paint as a metaphor for flesh in all its aspects. It will also consider contemporary artists whose works move from a national to a global stage in terms of meaning and style.

The book...

Creation Story explores parallels and intersections in the works of Dial and his fellow Alabamians, the remarkable quilters of Gee's Bend. In the tradition of African American cemetery constructions and yard art, these artists harness the tactile properties and symbolic associations of cast-off materials in creating an art of profound beauty and evocative power. Produced against a backdrop of poverty and racism, these artworks have an appeal that crosses aesthetic, social, and geographical boundaries, earning them wide recognition as being among the most compelling art of our time....

People often feel the presence of someone when no one is there. This may be a way of embodying the fear of the unknown, the ghost under the bed. It may be a near-palpable memory of an absent person, triggered by an article of clothing, a photograph, a scent, an old recording. And it can at rare times be a feeling of immanence, of being close to spirit or divinity. Regardless of the source, the sense of presence-in-absence reinforces a need--which seems hard-wired into the psyche--to experience a human essence outside the body.

The exhibition and its accompanying catalog include artworks...

This catalog explores the psychological and social implications contained in the hybrid creatures and fantastic scenarios created by contemporary artists whose works will appear in the exhibition Fairy Tales, Monsters, and the Genetic Imagination, which opens at Nashville's Frist Center for the Visual Arts in February 2012. Curator Mark Scala's introductory essay focuses on anthropomorphism in the mythology, folklore, and art of many cultures as it contrasts with the dominant Western view of human exceptionalism. Scala also provides an art historical context, linking the visual...

A resident of Nashville whose work has been exhibited and collected internationally, Jack Spencer alters the surfaces of his photographs with techniques suggestive of painting--rich patinas and luminous colors, softly-focused or veiled forms, and traces of the artist's hand: imperfections, marks, and painterly textures. The exhibition catalog consists of an essay by Susan Edwards and 70 full-page color plates selected from such series as -Native Soil, - -Apariciones, - -This Land, - and -Portraits and Gestures- to exemplify the relationship between these compelling surfaces and Spencer's...