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As themes in film studies literature, work and the working class have long occupied a peripheral place in the evaluation of Canadian cinema, often set aside in the critical literature for the sake of a unifying narrative that assumes a division between Qu?b?cois and English Canada's film production, a social-realist documentary aesthetic, and what might be called a 'younger brother' relationship with the United States.

In Working on Screen, contributors examine representations of socio-economic class across the spectrum of Canadian film, video, and television, covering a wide...

As themes in film studies literature, work and the working class have long occupied a peripheral place in the evaluation of Canadian cinema, often set aside in the critical literature for the sake of a unifying narrative that assumes a division between Qu?b?cois and English Canada's film production, a social-realist documentary aesthetic, and what might be called a 'younger brother' relationship with the United States.

In Working on Screen, contributors examine representations of socio-economic class across the spectrum of Canadian film, video, and television, covering a wide...