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The 1973 military coup in Chile deposed the democratically elected Salvador Allende and installed a dictatorship that terrorized the country for almost twenty years. Subsequent efforts to come to terms with the national trauma have resulted in an outpouring of fiction, art, film, and drama. In this ethnography, Macarena Gomez-Barris examines cultural sites and representations in postdictatorship Chile--what she calls "memory symbolics"--to uncover the impact of state-sponsored violence. She surveys the concentration camp turned memorial park, Villa Grimaldi, documentary films, the torture...

In The Extractive Zone Macarena Gomez-Barris traces the political, aesthetic, and performative practices that emerge in opposition to the ruinous effects of extractive capital. The work of Indigenous activists, intellectuals, and artists in spaces Gomez-Barris labels extractive zones--majority indigenous regions in South America noted for their biodiversity and long history of exploitative natural resource extraction--resist and refuse the terms of racial capital and the continued legacies of colonialism. Extending decolonial theory with race, sexuality, and critical Indigenous...

In The Extractive Zone Macarena Gomez-Barris traces the political, aesthetic, and performative practices that emerge in opposition to the ruinous effects of extractive capital. The work of Indigenous activists, intellectuals, and artists in spaces Gomez-Barris labels extractive zones--majority indigenous regions in South America noted for their biodiversity and long history of exploitative natural resource extraction--resist and refuse the terms of racial capital and the continued legacies of colonialism. Extending decolonial theory with race, sexuality, and critical Indigenous...