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When the Red Army needed to mechanize its cavalry branch in the 1930s, the BT fast tank was its solution. Channeling the American Christie high-speed tank, the Red Army began a program to adapt the design to its own needs. Early versions were mechanically unreliable and poorly armed, but by the mid-1930s, the BT-5 emerged, armed with an excellent dual-purpose 45mm gun. It saw its combat debut in the Spanish Civil War in 1937 and was later used in the border battles with the Japanese Kwantung Army in the late 1930s. The final production series, the BT-7, was the most refined version of the...

Designed in the 1950s, the US Marines' M50 Ontos and the US Army's M56 Scorpion were both intended to be fast, light, air-droppable tank-killers for the Cold War battlefield--an answer to the cumbersome and ineffective World War II-vintage tanks that had taken to the battlefield during the Korean War. Although they shared the aim of bringing light, mobile, and lethal antitank firepower to the infantry, the two vehicles varied wildly in design to cater for their unique mission demands. They first saw service in the Lebanon intervention of 1958 but it was in the Vietnam War that they made...

Originally designed as a carrier-born, long-range interceptor armed with radar-guided missiles and tasked with defense against missile-launching bombers, the Phantom II went on to establish itself as one of the most important multirole fighter, attack and reconnaissance aircraft of the twentieth century. Going on to play an important role in the war in Vietnam as a workhorse, in addition to the MiG interceptor, the Phantom was a mainstay of Atlantic Fleet operations, intercepting Soviet bomber and reconnaissance aircraft and turning them away from the carrier groups at the height of the...

Four Plays of Aeschylus

By Aeschylus

ContentsTHE SUPPLIANT MAIDENSTHE PERSIANSTHE SEVEN AGAINST THEBESTHE PROMETHEUS BOUND

Aeschylus (c. 525/524 - c. 456/455 BC) was an ancient Greek tragedian. He is also the first whose plays still survive; the others are Sophocles and Euripides. He is often described as the father of tragedy: critics and scholars' knowledge of the genre begins with his work, and understanding of earlier tragedies is largely based on inferences from his surviving plays. According to Aristotle, he expanded the number of characters in theater to allow conflict among...