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Studying American Jewish feminism from the 1960s and '70s, Jewish Feminists examines how second-wave feminist activists retrospectively construct their identities as Jews and how these constructions have changed throughout their lives. Dina Pinsky argues that these Jewish feminists experience a sense of ambivalence as both feminists and Jews as they ask how being Jewish makes them different from other women (or feminist men). Drawing from interviews with more than two dozen second-wave feminist Jews, of which five are men, Pinsky describes how these identities sometimes coincide or...

From Sadness and Happiness: Poems by Robert Pinsky

CEREMONY FOR ANY BEGINNING

Robert Pinsky
?

Against weather, and the random

Harpies--mood, circumstance, the laws

Of biography, chance, physics--

The unseasonable soul holds forth,

Eager for form as a renowned

Pedant, the emperor's man of worth,

Hereditary arbiter of manners.

Soul, one's life is one's enemy.

As the small children learn, what happens

Takes over, and what you were goes away.

They...

Death and Fallibility in the Psychoanalytic Encounter considers psychoanalysis from a fresh perspective: the therapist's mortality--in at least two senses of the word. That the therapist can die, and is also fallible, can be seen as necessary or even defining components of the therapeutic process. At every moment, the analyst's vulnerability and human limitations underlie the work, something rarely openly acknowledged.

Freud's central insights continue to guide the range of all talking therapies, but they do so somewhat in the manner of a smudged ancestral map. That blur,...

The Figured Wheel fully collects the first four books of poetry, as well as twenty-one new poems, by Robert Pinsky, the former U.S. Poet Laureate.

Critic Hugh Kenner, writing about Pinsky's first volume, described this poet's work as "nothing less than the recovery for language of a whole domain of mute and familiar experience." Both the transformation of the familiar and the uttering of what has been hitherto mute or implicit in our culture continue to be central to Pinsky's art. New poems like "Avenue" and "The City Elegies" envision the urban landscape's mysterious epitome...

Dollars, dolors. Callings and contrivances. King Zulu. Comus.
Sephardic ju-ju and verses. Voodoo mojo, Special Forces.

Henry formed a group named Professor Longhair and his
Shuffling Hungarians. After so much renunciation

And invention, is this the image of the promised end?
All music haunted by all the music of the dead forever.

Becky haunted forever by Pearl the daughter she abandoned
For love, O try my tra-la-la, ma la belle, mah walla-woe.

--from "Gulf...

The Poet Laureate's clear and entertaining account of how poetry works.

"Poetry is a vocal, which is to say a bodily, art," Robert Pinsky declares in The Sounds of Poetry. "The medium of poetry is the human body: the column of air inside the chest, shaped into signifying sounds in the larynx and the mouth. In this sense, poetry is as physical or bodily an art as dancing."

As Poet Laureate, Pinsky is one of America's best spokesmen for poetry. In this fascinating book, he explains how poets use the "technology" of poetry--its sounds--to create works of art that are...