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The Western genre provides some of the most iconic images of masculinity in the history of American literature. Challenging the notion of manliness in these Westerns, Cooper examines how contemporary authors such as Cormac McCarthy and Leslie Marmon Silko in fact expose the pervasive anxieties about what it means to "act like a man."

Critics often trace the prevailing mood of despair and purported nihilism in the works of Cormac McCarthy to the striking absence of interior thought in his seemingly amoral characters. In No More Heroes, however, Lydia Cooper reveals that though McCarthy limits inner revelations, he never eliminates them entirely. In certain crucial cases, he endows his characters with ethical decisions and attitudes, revealing a strain of heroism exists in his otherwise violent and apocalyptic world.

Cooper evaluates all of McCarthy's work to date, carefully exploring the range of his narrative...