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This work contains an analysis of literary experience as a case of aesthetic experience. In response to the questions raised by the rise of subjectivity, it argues that though traces of subjectivity can be identified in the writings of Montaigne, only Kant provided the necessary philosophical legitimation of subjectivity. Schlegel's work is considered as both the beginning and culmination of philosophical aesthetics while Kafka's writing is seen as a fictional work which, without taking itself as Truth, refrains from affirming any Truth, and questions Truths as fictions.

The Brazilian multi-instrumentalist, composer, and bandleader Hermeto Pascoal produces music that is unmistakably individual, drawing on a kaleidoscopic variety of influences, including contemporary jazz and the popular musical styles of the Northeast of Brazil, such cocos, emboladas and repentes, as well as baiao, frevo and choro, with results verging on contemporary art music. His complex compositions are highly demanding of the performer, with use of dissonant harmonies, polyrhythms, unconventional timbres, atonal improvisations, aleatory techniques and more. He became known to American...

This book clarifies the musical dramaturgy of comedy writer and musician Luiz Carlos Martins Penna - a notion that encompasses both the theatrical text and its performance. The corpus for this analysis is composed of twelve comedies by Martins Penna written between 1833 and 1846, divided into three groups, which we have called Lundu, Aria, and Hallelujah. The sound universe made ​​up by the three groups of comedies covers African-Brazilian genres and musical-choreographic styles (batuque, fado, lundu, miudinho), the transnational urban popular universe (lundu, tirana, quadrilha,...