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This work contains an analysis of literary experience as a case of aesthetic experience. In response to the questions raised by the rise of subjectivity, it argues that though traces of subjectivity can be identified in the writings of Montaigne, only Kant provided the necessary philosophical legitimation of subjectivity. Schlegel's work is considered as both the beginning and culmination of philosophical aesthetics while Kafka's writing is seen as a fictional work which, without taking itself as Truth, refrains from affirming any Truth, and questions Truths as fictions.

This book clarifies the musical dramaturgy of comedy writer and musician Luiz Carlos Martins Penna - a notion that encompasses both the theatrical text and its performance. The corpus for this analysis is composed of twelve comedies by Martins Penna written between 1833 and 1846, divided into three groups, which we have called Lundu, Aria, and Hallelujah. The sound universe made ​​up by the three groups of comedies covers African-Brazilian genres and musical-choreographic styles (batuque, fado, lundu, miudinho), the transnational urban popular universe (lundu, tirana, quadrilha,...