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A paradigmatic analysis of three of Conrad's most significant novels, "Heart of Darkness, Nostromo," and "The Secret Agent," investigates the writer's position in the free will and determinism debate by identifying recurring themes in which the freedom-of-the-will problem manifests itself.

Through the great diversity of topics and methodologies the essays in this volume make a seminal contribution to an under-researched field at the intersection of literary and cultural criticism, comparative literature, and theatre as well as translation studies. The essays cover a wide range of texts from the eighteenth to the twenty-first century. From a broad variety of perspectives the exchange between drama and theatre of the Anglophone and the Germanophone worlds and their mutual influence are explored. While there is a focus on the successful or unsuccessful bridging of the cultural...