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This collection of stunningly beautiful poems encompasses the natural, human, and spiritual realms, and is bound together by the universal themes of time and mortality. With clarity and sureness of craft, Gluck's poetry questions, explores, and finally celebrates the ordeal of being alive.

The First Four Books of Poems collects the early work that established Louise Gluck as one of America's most original and important poets. Honored with the Pulitzer Prize for The WildIris, Gluck was celebrated early in her career for her fierce, austerely beautiful voice. InFirstborn, The House on Marshland Wand, Descending Figure, and The Triumph of Achilles, which wonthe National Book Critics Circle Award for Poetry, we see the conscious progression of apoet who speaks with blade-like accuracy and stirring depth.

Averno is a small crater lake in southern Italy, regarded by the ancient Romans as the entrance to the underworld. That place gives its name to Louise Gluck's tenth collection: in a landscape turned irretrievably to winter, it is a gate or passageway that invites traffic between worlds while at the same time resisting their reconciliation. Averno is an extended lamentation, its long, restless poems no less spellbinding for being without conventional resoltution or consolation, no less ravishing for being savage, grief-stricken. What Averno provides is not a map to a point of...

Winner of the 1993 PEN/Martha Albrand Award for First Non-Fiction, Proofs and Theories is an illuminating collection of essays by Louise Gluck, whose most recent book of poems, The Wild Iris, was awarded the Pulitzer Prize. Gluck brings to her prose the same precision of language, the same incisiveness and insight that distinguish her poetry. The force of her thought is evident everywhere in these essays, from her explorations of other poets' work to her skeptical contemplation of current literary critical notions such as "sincerety" and "courage." Here also are Gluck's...

A Village Life, Louise Gluck's eleventh collection of poems, begins in the topography of a village, a Mediterranean world of no definite moment or place:

All the roads in the village unite at the fountain.

Avenue of Liberty, Avenue of the Acacia Trees--

The fountain rises at the center of the plaza;

on sunny days, rainbows in the piss of the cherub.

--from "tributaries"

Around the fountain are concentric circles of figures, organized by age and in degrees of distance: fields, a river, and, like the fountain's...