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This sixth volume in the series centres on the sociological and critical aspects of opera in Italy, considering the art in the context of an Italian literary and cultural canon rarely revealed in English and American studies.

The seventeenth century was a period of profound change in the history of music. In this volume Lorenzo Bianconi considers the radical developments of the century as long-lived musical traditions died out and others were created in response to new social functions. This period saw, for example, the flowering of the polyphonic madrigal and its subsequent decline in favour of a new concertato style, the rise of the basso continuo and the growth of purely instrumental composition. Most importantly it saw the rapid rise and persistent growth of a new genre of immeasurable significance: opera. In...