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The book traces growing state intervention in the rural areas of Tunisia and Libya in the middle 1800s and the diverging development of the two countries during the period of European rule. State formation accelerated in Tunisia under the French with the result that, with independence, interest-based policy brokerage became the principal form of political organization. For Libya, where the Italians dismantled the pre-colonial administration, independence brought with it the revival of kinship as the basis for politics.

Originally published in 1986.

The Princeton Legacy...

The book traces growing state intervention in the rural areas of Tunisia and Libya in the middle 1800s and the diverging development of the two countries during the period of European rule. State formation accelerated in Tunisia under the French with the result that, with independence, interest-based policy brokerage became the principal form of political organization. For Libya, where the Italians dismantled the pre-colonial administration, independence brought with it the revival of kinship as the basis for politics.

Originally published in 1986.

The Princeton Legacy...

As dean of Columbia University's School of International and Public Affairs, Lisa Anderson has a unique vantage point on the intersection of social sciences,...

During the summer of 1964, more than a thousand individuals descended on Mississippi to help the state's African American citizens register to vote. Student organizers, volunteers, and community members canvassed black neighborhoods to organize the Mississippi Freedom Democratic Party (MFDP), a group that sought to give a voice to black Mississippians and demonstrate their will to vote in the face of terror and intimidation.

In For a Voice and the Vote, author Lisa Anderson Todd gives a fascinating insider's account of her experience volunteering in Greenville, Mississippi,...

In tracing black feminism in contemporary drama by black women playwrights, Lisa M. Anderson reviews the history of black feminism through analysis of plays by Pearl Cleage, Glenda Dickerson, Breena Clarke, Kia Corthron, Suzan-Lori Parks, Sharon Bridgforth, and Shirlene Holmes. Black Feminism in Contemporary Drama represents a cross section of women who have diverse writing and performance styles and generational differences that highlight the artistic and political breadth of black feminist theater. Anderson closely investigates each play s construction and the context of its production,...