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Given a long history of representation by others, what themes and techniques do Arab Muslim women writers, filmmakers and visual artists foreground in their presentation of postcolonial experience?

Lindsey Moore's groundbreaking book demonstrates ways in which women appropriate textual and visual modes of representation, often in cross-fertilizing ways, in challenges to Orientalist/colonialist, nationalist, Islamist, and 'multicultural' paradigms. She provides an accessible but theoretically-informed analysis by foregrounding tropes of vision, visibility and voice; post-nationalist...

This book argues for the foundational and ongoing importance of the Arab world to postcolonial studies, challenging the marginality of Arab literary and theoretical contexts in the field to date and historicizing the 'Arab Spring' and its aftermath. Countering an emphasis in postcolonial studies on place, space, and mobility tropes, Moore underlines ways in which literature emerging from Arab contexts is configured by temporal structures, as well as histories, that enhance our understanding of what 'the postcolonial, ' its beginnings, and its limits might be. Chapters focused on Morocco,...

Whereas most studies of Islamism focus on politics and religious ideology, this book analyses the ways in which Islamism in the Arab world is defined, reflected, transmitted and contested in a variety of creative and other cultural forms. It covers a range of contexts of production and reception, from the early twentieth century to the present, and with reference to cultural production in and/or about Morocco, Algeria, Tunisia, Egypt, Yemen, the Gulf, Lebanon and Israel/Palestine. The material engaged with is produced in Arabic, English and French and includes fiction, autobiography,...