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Taking a look at Nazi cinema, this book examines Nazi films as movies that contain propaganda rather than as propaganda vehicles that happen to be movies. It is of interest to scholars involved in the study of cinema, popular culture, Nazism and Nazi art, the workings of fascist culture, and the history of modern ideology.

In this persuasive reversal of previous scholarship, Linda Schulte-Sasse takes an unorthodox look at Nazi cinema, examining Nazi films as movies that contain propaganda rather than as propaganda vehicles that happen to be movies. Like other Nazi artistic productions, Nazi film has long been regarded as kitsch rather than art, and therefore unworthy of critical textual analysis. By reading these films as consumer entertainment, Schulte-Sasse reveals the similarities between Nazi commercial film and classical Hollywood cinema and, with this shift in emphasis, demonstrates how Hollywood-style...