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Dickinson knew the Bible well. She was profoundly aware of Christian theology and she was writing at a time when comparative religion was extremely popular. This book is the first to consider Dickinson's religious imagery outside the dynamic of her personal faith and doubt. It argues that religious myths and symbols, from the sun-god to the open tomb, are essential to understanding the similetic movement of Dickinson's poetry the reach for a comparable, though not identical, experience in the struggles and wrongs of Abraham, Jacob and Moses, and the life, death and resurrection of Christ....

Tells the story of William Blake's literary reception in America from the Abolitionists to the counterculture and argues that Blake's poetry has been crucial to America's sense of itself as a mythic and prophetic nation and its struggle with the ironies of new world symbolism as a land of the free and a site of possibility and redemption.