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The work of Tunisian Jewish intellectual Albert Memmi, like that of many francophone Maghrebian writers, is often read as thinly veiled autobiography. Questioning the prevailing body of criticism, which continues this interpretation of most fiction produced by francophone North African writers, Lia Nicole Brozgal shows how such interpretations of Memmi s texts obscure their not inconsiderable theoretical possibilities.

Calling attention to the ambiguous status of autobiographical discursive and textual elements in Memmi s work, Brozgal shifts the focus from the author to...