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When collective memory is a source of national debate, the public representation of history quickly becomes a locus of controversy and ideological struggle.This work shows how French film has allowed for a public airing of current concerns through the lens of memory's recreations of the Occupation.

"In order to write" said Simone de Beauvoir, "the first essential condition is that reality can no longer be taken for granted." She and four other French women writers of the second half of the twentieth century-Nathalie Sarraute, Marguerite Duras, Monique Wittig, and Maryse Conde-illustrate that producing autobiography is like performing a tightrope act on the slippery line between fact and fiction. Autobiographical Tightropes emphasizes the tension in the works of these major writers as they move in and out of "experience" and "literature," violating the neat boundaries between genres and...

The Last of the African Kings follows the wayward fortunes of a noble African family. It begins with the regal Behanzin, an African king who opposed French colonialism and was exiled to distant Martinique. In the course of this brilliant novel, Maryse Conde tells of Behanzin's scattered offspring and their lives in the Caribbean and the United States. A book made up of many characters and countless stories, The Last of the African Kings skillfully intertwines the themes of exile, lost origins, memory, and hope. It is set mainly in the Americas, from the Caribbean to modern-day South Carolina,...