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This collection of essays offers an original look at Joyce's writing by placing his language at the intersection of various critical perspectives: linguistics, philosophy, feminism, psychoanalysis, postcolonialism and intertextuality. Combining detailed textual analysis and theoretically informed study, an international team of leading scholars explores how Joyce's experiments with language repeatedly challenge our ways of reading. Drawing on current debates in Joyce scholarship, literary studies and critical theory, this volume comprehensively examines the critical diversity of Joyce's use...

This collection of essays offers an original look at Joyce's writing by placing his language at the intersection of various critical perspectives: linguistics, philosophy, feminism, psychoanalysis, postcolonialism and intertextuality. Combining detailed textual analysis and theoretically informed study, an international team of leading scholars explores how Joyce's experiments with language repeatedly challenge our ways of reading. Drawing on current debates in Joyce scholarship, literary studies and critical theory, this volume comprehensively examines the critical diversity of Joyce's use...

In 1968-69 I wanted to die, that is to say, stop living, being killed, but it was blocked on all sides, wrote Helene Cixous, esteemed French feminist, playwright, philosopher, literary critic, and novelist. Instead of suicide, she began to dream of writing a tomb for herself. This tomb became a work that is a testament to Cixous s life and spirit and a secret book, the first book she ever authored. Originally written in 1970, "Tombe" is a Homerian recasting of Shakespeare s "Venus and Adonis" in the thickets of Central Park, a book Cixous provocatively calls the all-powerful-other of all my...

H. C. for Life, That Is to Say . . . is Derrida's literary critical recollection of his lifelong friendship with Helene Cixous. The main figure that informs Derrida's reading here is that of "taking sides." While Helene Cixous in her life and work takes the side of life, "for life," Derrida admits always feeling drawn to the side of death. Rather than being an obvious choice, taking the side of life is an act of faith, by wagering one's life on life. H. C. for Life sets up and explores this interminable "argument" between Derrida and Cixous as to what death has in store deep...

H. C. for Life, That Is to Say . . . is Derrida's literary critical recollection of his lifelong friendship with Helene Cixous. The main figure that informs Derrida's reading here is that of -taking sides.- While Helene Cixous in her life and work takes the side of life, -for life, - Derrida admits always feeling drawn to the side of death. Rather than being an obvious choice, taking the side of life is an act of faith, by wagering one's life on life. H. C. for Life sets up and explores this interminable -argument- between Derrida and Cixous as to what death has in store deep...