Wyniki wyszukiwania:

This book explores the social history of contemporary Italian art with a focus on its relation to theories of national identity, cultural inheritance, and baroque historiography. Its scope encompasses Fascism s involvement in the visual arts in the first half of the twentieth century and the regime s deployment of the avant-garde as well as Italy s interwar cultural isolation and Informale s experimental works. The analysis of the -baroque-centric- vision of Arte Povera in the post-war era leads into the discussion of Italian artists relation to the cultural past. The baroque is employed as...