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Man sieht ein blaues Fahrrad und denkt an den letzten Sommerurlaub zurück: Assoziationserlebnisse wie dieses sind ein alltägliches Phänomen. Aber was sind ihre notwendigen Merkmale? In seiner der Tradition der Phänomenologie verpflichteten Abhandlung bestimmt Lambert Wiesing das Erfahren der eigenen Individualität als intrinsischen Bestandteil einer jeden Assoziation. Einzig durch ungefragt sich einstellende Assoziationen kommt es zu dem Erlebnis, ein spezifisches, einmaliges Individuum in der Welt zu sein. Nicht die Individuen machen die Assoziation, sondern die Assoziationen machen...

Lambert Wiesing's The Philosophy of Perception challenges current theories of perception. Instead of attempting to understand how a subject perceives the world, Wiesing starts by taking perception to be real. He then asks what this reality means for a subject. In his original approach, the question of how human perception is possible is displaced by questions about what perception obliges us to be and do. He argues that perception requires us to be embodied, to be visible, and to continually participate in the public and physical world we perceive. Only in looking at images, he...

Lambert Wiesing's The Philosophy of Perception challenges current theories of perception. Instead of attempting to understand how a subject perceives the world, Wiesing starts by taking perception to be real. He then asks what this reality means for a subject. In his original approach, the question of how human perception is possible is displaced by questions about what perception obliges us to be and do. He argues that perception requires us to be embodied, to be visible, and to continually participate in the public and physical world we perceive. Only in looking at images, he...

Now available in English for the first time, The Visibility of the Image explores the development of an influential aesthetic tradition through the work of six figures. Analysing their contribution to the progress of formal aesthetics, from its origins in Germany in the 1880s to semiotic interpretations in America a century later, the six chapters cover:

Robert Zimmermann (1824-1898), the first to separate aesthetics and metaphysics and approach aesthetics along the lines of formal logic, providing a purely syntactic way of using signs, regardless of objective...