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The winning manuscript of the fourth annual Hollis Summers Poetry Prize is also the exciting American debut by a poet who has already established himself as an important international poetic voice. Midland, the seventh collection by Kwame Dawes, draws deeply on the poet's travels and experiences in Africa, the Caribbean, England, and the American South. Marked equally by a lushness of imagery, an urgency of tone, and a muscular rhythm, Midland, in the words of the final judge, Eavan Boland, is "a powerful testament of the complexity, pain, and enrichment of...

The winning manuscript of the fourth annual Hollis Summers Poetry Prize is also the exciting American debut by a poet who has already established himself as an important international poetic voice. Midland, the seventh collection by Kwame Dawes, draws deeply on the poet's travels and experiences in Africa, the Caribbean, England, and the American South. Marked equally by a lushness of imagery, an urgency of tone, and a muscular rhythm, Midland, in the words of the final judge, Eavan Boland, is "a powerful testament of the complexity, pain, and enrichment of...

Before the Caribbean-inflected spoken-word poetry of the 1990s, epitomized by poetry slams at the Nuyorican Poets Cafe in Manhattan, there was reggae. In the past thirty years, most Caribbean poetry written in English has come to the shores of the United States on waves of music, in the lyrics of Bob Marley, Peter Tosh, and Burning Spear. Kwame Dawes, himself a musician and poet, is not surprised by this phenomenon. The region's political and cultural awakening of the 1970s was fueled by a growing African consciousness, often in competition with the multiple traditions--European, Indian,...