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In this volume, Milnor considers how the fragments of textual graffiti which survive on the walls of the Roman city of Pompeii reflect and refract the literary world from which they emerged. Focusing in particular on the writings which either refer to or quote canonical authors directly, Milnor uncovers the influence--in diction, style, or structure--of elite Latin literature as the Pompeian graffiti show significant connections with familiar authors such as Ovid, Propertius, and Virgil.
While previous scholarship has described these fragments as popular distortions of well-known texts,...

The age of Augustus has long been recognized as a time when the Roman state put a new emphasis on traditional' feminine domestic ideals, yet at the same time gave real public prominence to certain women in their roles as wives, mothers, sisters, and daughters. Kristina Milnor takes up a series of texts and their contexts in order to explore this paradox. Through an examination of authors such as Vitruvius, Livy, Valerius Maximus, Seneca the Elder, and Columella, she argues that female domesticity was both a principle and a problem for early imperial writers, as they sought to construct a new...

The age of Augustus has long been recognized as a time when the Roman state put a new emphasis on "traditional" feminine domestic ideals, yet at the same time gave real public prominence to certain women in their roles as wives, mothers, sisters, and daughters. Kristina Milnor takes up a series of texts and their contexts in order to explore this paradox. Through an examination of authors such as Vitruvius, Livy, Valerius Maximus, Seneca the Elder, and Columella, she argues that female domesticity was both a principle and a problem for early imperial writers, as they sought to construct a new...