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Following the success of "The Cosby Show" in the 1980s, an unprecedented shift took place in television history: white executives turned to black dollars as a way of salvaging network profits lost to video cassettes and cable T.V. Not only were African-American viewers watching disproportionately more network television than the general population but, as Nielsen realized, they preferred black shows. As a result, African-American producers, writers, directors, and stars were given an unusual degree of creative control over shows such as "The Fresh Prince of Bel Air," "Roe," and "Living...

Following the overwhelming success of "The Cosby Show" in the 1980s, an unprecedented shift took place in television history: white executives turned to black dollars as a way of salvaging network profits lost in the war against video cassettes and cable T.V. Not only were African-American viewers watching disproportionately more network television than the general population but, as Nielsen finally realized, they preferred black shows. As a result, African-American producers, writers, directors, and stars were given an unusual degree of creative control over shows such as "The Fresh Prince...

The Girl in the Yellow Poncho is journalist and scholar Kristal Brent Zook's coming-of-age tale about what it means to be biracial in America where she grapples with in-betweenness, family trauma, and the profound power of atonement and faith to heal a broken family.