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Stanislavsky recalls his theatrical career, from his early experiences in Rubinstein's Russian Musical Society to his final triumphs with Chekhov at the Moscow Art Theatre. This account of his own famous productions is interspersed with anecdotes.

In the last several years, numerous books have been published about this great actor and director. In My Life in Art, Constantin Stanislavski reveals his expression of his own ideas and experience in his outstanding autobiography.

Originally published in the Soviet Union in 1963, this is a Stanislavsky centennial collection. It contains excerpts from memoirs referring to the great Russian actor and stage director. There are passages by Maxim Gorky, Anatoly Lunacharsky, Vladimir Nemirovich-Danchenko, Yevgeny Vakhtangov, Sergei Eisenstein, Emile Verhaern, Maurice Maeterlinck, Max Reinhardt, Jacques Copeau, etc. Most of the materials presented in this collection, including the brilliant letters by Stanislavsky, are little known abroad, and appear in English for the first time. The collection is lavishly illustrated. "The...

First Published in 1989. Routledge is an imprint of Taylor & Francis, an informa company."

An Actor's Work on a Role is Konstantin Stanislavsky's classic exploration of the rehearsal process, applying the techniques of his seminal actor training system to the task of bringing life and truth to one's role.

Originally published over half a century ago as Creating a Role, this book became the third in a trilogy - after An Actor Prepares and Building a Character, which are now combined in a newly translated volume called An Actor's Work. In these books, now foundational texts for actors,...

Best known for his fundamental work on acting, Stanislavski was deeply drawn to the challenges of opera. His brilliant chapters here on Russian classics - Boris Gudonov and The Queen of Spades among them - as well as La Boh'eme will amaze and delight lovers of opera and followers of Stanislavski."

"Creating a Role "is the culmination of Stanislavski's masterful trilogy on the art of acting." An Actor Prepares "focused on the inner training of an actor's imagination, while "Building a Character "detailed how the actor's body and voice could be tuned for the great roles he might fill.
This third volume examines the development of a character from the viewpoint of three widely contrasting plays: Griboyedov's Woe from Wit, Shakespeare's Othello, and Gogol's The Inspector General. Building on the first two books, Stanislavski demonstrates how a fully realized character is born in three...

This is the classic lexicon of Stanislavski's most important concepts, all in the master's own words. Upon its publication in 1963, An Actor's Handbook quickly established itself as an essential guide for actors and directors. Culling key passages from Stanislavski's vast output, this book covers more than one hundred and fifty key concepts, among them 'Improvisation', 'External Technique', 'Magic If', 'Imaginary Objects', 'Discipline', 'What Is My System?' and 'Stage Fright'.

This reissued, attractively packaged edition will be an essential book for any performer.

Konstantin Stanislavski was a Russian director who transformed theatre in the West with his contributions to the birth of Realist theatre and his unprecedented approach to teaching acting. He lived through extraordinary times and his unique contribution to the arts still endures in the twenty-first century. He established the Moscow Art Theatre in 1898 with, among other plays, the premiere of Chekhov's The Seagull. He also survived revolutions, lost his fortune, found wide fame in America, and lived in internal exile under Stalin's Soviet Union.

Before writing his classic...