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Crime Films: Investigating the Scene analyzes the wide body of films that fall under the rubric of crime, from the gangster film to the film noir to classic whodunit television series like Law and Order and CSI. Ever since Edwin S. Porter's The Great Train Robbery in 1903, audiences have been fascinated by films about crime and the world as seen from both sides of the law. Crime Films approaches a crime scene from the standpoint of the criminal, the crime, and the crime-solver, revealing the master plan behind the world of crime on screen. The criminal...

In Apocalyptic Dread, Kirsten Moana Thompson examines how fears and anxieties about the future are reflected in recent American cinema. Through close readings of such films as Cape Fear, Candyman, Dolores Claiborne, Se7en, Signs, and War of the Worlds, Thompson argues that a longstanding American apocalyptic tradition permeates our popular culture, spreading from science-fiction and disaster films into horror, crime, and melodrama. Drawing upon Kierkegaard's notion of dread--that is, a fundamental anxiety and ambivalence about existential choice and the future--Thompson suggests that the...