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Kirk Combe theorizes a new type of contemporary political satire: the Rant. Grim, imaginative, and complex in its blending of genres, the Rant targets the Regime—the dangerous social and economic orthodoxies of neoliberalism and neoconservatism.

In its eleven essays, Theorizing Satire reexplores old issues from new perspectives and opens up new dimensions of satire for critical analysis. Adapting to its object of study, this eclectic collection brings to bear upon classical, British, continental, and American satires the insights of New Criticism, philology, rhetorical analysis, anthropology, genre theory, semiotics, deconstruction, cultural criticism, and new historicism. The writers seek useful generalizations about satire, while at the same time offering close readings of individual authors working in a variety of cultural and...

In film, Men are good and Monsters are bad. In this book, Combe and Boyle consider the monstrous body as a metaphor for the cultural body and regard gendered behavior as a matter of performativity. Taken together, these two identity positions, manliness and monsterliness, offer a window into the workings of current American society.

In film, Men are good and Monsters are bad. In this book, Combe and Boyle consider the monstrous body as a metaphor for the cultural body and regard gendered behavior as a matter of performativity. Taken together, these two identity positions, manliness and monsterliness, offer a window into the workings of current American society.