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The success of low-budget independent films like The Blair Witch Project and Paranormal Activity clearly demonstrated that successful movies can be made with very small budgets. Still, working on a tight budget requires both skill and ingenuity, and is an inevitable and continuous learning experience for the filmmaker. Join two dozen truly independent filmmakers--those used to working, and delivering, within extreme limitations--as they bluntly chronicle their experiences creating features from the trenches. They cover the major stages of the filmmaking process, from financing, technical...

You see them on the video shelves, with titles such as Shadow Tracker, Psycho Girls, and The Blair Witch Project. Skeptically, perhaps, you rent one and slip it into the VCR. Hey, you think, this isn't so bad - sometimes actually quite good. Suddenly, you discover that there is a whole range of movies from filmmakers operating outside the studio system that have their own attractions that the big budget fare can't match. You have, of course, discovered the world of independent filmmaking. A fascinating group of independent film directors and producers, in interviews with the author, discuss...

Here, 24 independent filmmakers describe wha t it is like to make an independent feature. It covers scrip ts, equipment, actors, publicity, distribution, budgeting an d all facets of production. '

When Mike Kerns and his girlfriend Kellyn take his Autism Specific Class on a day trip to the country, things quickly transform into a day--and then months--of hell. At first Mike witnesses what appear to be strange people from the backwoods attacking a young woman. As he attempts to get involved and help, he realizes that this is no ordinary attack, and that these people are not actually people at all. They're zombies--zombies that don't stop with a bullet to the head, zombies that cannot be killed. Now Mike and his class are fighting for their lives as they come to terms with the fact that...

After the success and wide distribution of the first ADDICTED TO MURDER movie in 1996, writer/producer Kevin J. Lindenmuth wanted to shoot a larger budget sequel. He came up with the idea for THE LAST VAMPIRE and hired frequent collaborator Ron Ford to write the screenplay. However, that was not to be. So Lindenmuth proceeded to make a micro-budget PREQUEL, TAINTED BLOOD, keeping in mind that he would make this "Final ADDICTED TO MURDER movie" one day. While a lesser sequel to the first two movies was made, BLOODLUST, this screenplay remained unproduced. Then, itching to do a follow-up years...