Wyniki wyszukiwania:
wyszukanych pozycji: 7
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Cutting Across Media: Appropriation Art, Interventionist Collage, and Copyright Law
ISBN: 9780822348221 / Angielski / Miękka / 2011 / 380 str. Termin realizacji zamówienia: ok. 22 dni roboczych. In this collection of essays, leading academics, critics, and artists historicize collage and appropriation tactics that cut across diverse media and genres. They take up issues of appropriation in the popular and the avant-garde, in altered billboards and the work of the renowned painter Chris Ofili, in hip-hop and the compositions of Bela Bartok and Zoltan Kodaly, and in audio mash-ups, remixed news broadcasts, pranks, culture jamming, and numerous other cultural forms. The borrowing practices that they consider often run afoul of intellectual property regimes, and many of the contributors...
In this collection of essays, leading academics, critics, and artists historicize collage and appropriation tactics that cut across diverse media and ...
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cena:
125,87 zł |
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Pranksters: Making Mischief in the Modern World
ISBN: 9780814796290 / Angielski / Twarda / 2014 / 364 str. Termin realizacji zamówienia: ok. 22 dni roboczych. From Benjamin Franklin's newspaper hoax that faked the death of his rival to Abbie Hoffman's attempt to levitate the Pentagon, pranksters, hoaxers, and con artists have caused confusion, disorder, and laughter in Western society for centuries. Profiling the most notorious mischief makers from the 1600s to the present day, Pranksters explores how "pranks" are part of a long tradition of speaking truth to power and social critique. Invoking such historical and contemporary figures as P.T. Barnum, Jonathan Swift, WITCH, The Yes Men, and Stephen Colbert, Kembrew McLeod shows... From Benjamin Franklin's newspaper hoax that faked the death of his rival to Abbie Hoffman's attempt to levitate the Pentagon, pranksters, hoaxers,... |
cena:
131,12 zł |
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Creative License: The Law and Culture of Digital Sampling
ISBN: 9780822348641 / Angielski / Twarda / 2011 / 336 str. Termin realizacji zamówienia: ok. 22 dni roboczych. How did the Depression-era folk-song collector Alan Lomax end up with a songwriting credit on Jay-Z s song Takeover ? Why doesn t Clyde Stubblefield, the primary drummer on James Brown recordings from the late 1960s such as Funky Drummer and Cold Sweat, get paid for other musicians frequent use of the beats he performed on those songs? The music industry s approach to digital sampling the act of incorporating snippets of existing recordings into new ones holds the answers. Exploring the complexities and contradictions in how samples are licensed, Kembrew McLeod and Peter DiCola interviewed...
How did the Depression-era folk-song collector Alan Lomax end up with a songwriting credit on Jay-Z s song Takeover ? Why doesn t Clyde Stubblefield, ...
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cena:
466,97 zł |
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Creative License: The Law and Culture of Digital Sampling
ISBN: 9780822348757 / Angielski / Miękka / 2011 / 338 str. Termin realizacji zamówienia: ok. 22 dni roboczych. How did the Depression-era folk-song collector Alan Lomax end up with a songwriting credit on Jay-Z s song Takeover ? Why doesn t Clyde Stubblefield, the primary drummer on James Brown recordings from the late 1960s such as Funky Drummer and Cold Sweat, get paid for other musicians frequent use of the beats he performed on those songs? The music industry s approach to digital sampling the act of incorporating snippets of existing recordings into new ones holds the answers. Exploring the complexities and contradictions in how samples are licensed, Kembrew McLeod and Peter DiCola interviewed...
How did the Depression-era folk-song collector Alan Lomax end up with a songwriting credit on Jay-Z s song Takeover ? Why doesn t Clyde Stubblefield, ...
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cena:
120,62 zł |
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Cutting Across Media: Appropriation Art, Interventionist Collage, and Copyright Law
ISBN: 9780822348115 / Angielski / Twarda / 2011 / 376 str. Termin realizacji zamówienia: ok. 22 dni roboczych. In this collection of essays, leading academics, critics, and artists historicize collage and appropriation tactics that cut across diverse media and genres. They take up issues of appropriation in the popular and the avant-garde, in altered billboards and the work of the renowned painter Chris Ofili, in hip-hop and the compositions of Bela Bartok and Zoltan Kodaly, and in audio mash-ups, remixed news broadcasts, pranks, culture jamming, and numerous other cultural forms. The borrowing practices that they consider often run afoul of intellectual property regimes, and many of the contributors...
In this collection of essays, leading academics, critics, and artists historicize collage and appropriation tactics that cut across diverse media and ...
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cena:
466,97 zł |
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Fake News: Understanding Media and Misinformation in the Digital Age
ISBN: 9780262538367 / Angielski / Miękka / 2020 / 416 str. Termin realizacji zamówienia: ok. 8-10 dni roboczych (Dostawa przed świętami) |
cena:
186,26 zł |
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Blondie's Parallel Lines
ISBN: 9781501302374 / Angielski / Miękka / 2016 / 168 str. Termin realizacji zamówienia: ok. 22 dni roboczych. Blondie's Parallel Lines mixed punk, disco and radio-friendly FM rock with nostalgic influences from 1960s pop and girl group hits. This 1978 album kept one foot planted firmly in the past while remaining quite forward-looking, an impulse that can be heard in its electronic dance music hit "Heart of Glass." Bubblegum music maven Mike Chapman produced Parallel Lines, which was the first massive hit by a group from the CBGB punk underworld. By embracing the diversity of New York City's varied music scenes, Blondie embodied many of the tensions that played out at the time... Blondie's Parallel Lines mixed punk, disco and radio-friendly FM rock with nostalgic influences from 1960s pop and girl group hits. This 197... |
cena:
52,42 zł |
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