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A book of and about literary anecdotes, On Leave presents passing observations concerning the anecdote in a modular prose that tracks the events of a year on leave. Its cast of characters includes avant-garde poets, students, friends, family, and strangers encountered on travels in a year away from university work. Fragments of conversation with Bernadette Mayer, Tom Raworth, Trevor Joyce, John Wilkinson, Harryette Mullen, and many others lead onto informal commentary about poems by these authors and other observations about the reading and culture of poetry, all offered in the form of...

"Fishing by Obstinate Isles "explores the relations of recent British and American poetries, challenging American views of a British poetry dominated by antimodernism while discussing the role of rhetorics of national identity on both sides of the Atlantic in the persistence of these views. Devoting its most extensive commentary to a collection of British modernist and postmodernist poets, it attacks the relegation of British poetry to the zones of the quaint, making a compelling case for renewed engagements with fields of British poetry deserving of attention.

Presenting a wide-ranging selection of vital twentieth-century work, Anthology of Twentieth-Century British and Irish Poetry contains more than 450 poems by 126 poets, beginning with Thomas Hardy and Gerard Manley Hopkins and ending with Catherine Walsh and Helen Macdonald. It features ample selections from canonical poets including W.H. Auden, Basil Bunting, T.S. Eliot, Seamus Heaney, Ted Hughes, Philip Larkin, D.H. Lawrence, Charlotte Mew, Hugh MacDiarmid, Wilfred Owen, Edith Sitwell, Stevie Smith, Dylan Thomas, Edward Thomas, and W.B. Yeats. At the same time, this volume...

"Fishing by Obstinate Isles "explores the relations of recent British and American poetries, challenging American views of a British poetry dominated by antimodernism while discussing the role of rhetorics of national identity on both sides of the Atlantic in the persistence of these views. Devoting its most extensive commentary to a collection of British modernist and postmodernist poets, it attacks the relegation of British poetry to the zones of the quaint, making a compelling case for renewed engagements with fields of British poetry deserving of attention.