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What did Kazimir Malevich (1878 - 1935), the proponent of pure abstraction in painting, have to do with film, that mechanical repository of everything that is banal and worthless? It was only in 1924 that Malevich described film as a system that fixed reality beyond the cultural idea. Nonetheless between 1925 and 1929 he wrote several articles on film as well as a script. The texts by the man who created the 'black square' that are assembled in this volume, and are for the most part translated into German for the first time, lead us to the heart of the debate about movement and acceleration...

A facsimile edition of Kazimir Malevich, SUPREMATISM 34 Drawings, was published in 1990 by Artists Bookworks accompanied by an introduction to the drawings by Patricia Railing; it is now out-of-print. This 2014 reprint of Malevich's little book contains a new translation from the Russian and a new introductory text by Patricia Railing, -Reading the 34 Drawings-. The Russian text and plates were scanned from an original copy and the size of this little book conforms to the lithographed Russian edition of 1920.