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The focus of this study is upon the Corpus Christi plays, supplemented by other performance practices such as festive and social entertainments, civic parades, funeral processions and public punishments. The main argument relates to the traditional approaches to women's non-performance in the Corpus Christi dramas, but other factors are considered and analysed, including the semiotics of the cross-dressed actor and the significance of the visual and spatial language of the processional stage to gender debates. In conclusion, there is a series of readings which reassess the dramatic portrayal...

* Fresh introduction to the dramatic and festive practices of England in the late Middle Ages. * Covers a wide range of canonical and lesser known dramatic practices, with an emphasis on their social and cultural historical contexts.

Medieval English Drama provides a fresh introduction to the dramatic and festive practices of England in the late Middle Ages, placing particular emphasis on the importance of the performance contexts of these events. Undergraduate students of literature of the period will find this an approachable and illuminating guide.

We know little about the nature of medieval performance and have generally been content to think of it in relation to more modern productions, not least because of the sparsity of existing evidence. Consequently, whilst much research has been undertaken into its contexts, there has been relatively little scholarly investigation into the conditions of perfommance itself. This book seeks to address this omission. It looks at such questions as the nature of performance in theatre/dance/puppetry/automata; the performed qualities of such events; the conventions of performed work; what took place...

This volume brings together important records of medieval theatre practice between 1400 and 1580. The records are drawn from a wide range of spheres including civic, ecclesiastical, trade and guild records and consist of payments for materials, techniques and services; also included are some eye witness accounts. Alongside these records is a selection of the best contemporary research conducted into medieval performance practice, which features ground-breaking analysis and challenges current understanding, knowledge and authority in this field. These contributions of rigorous scholarship...