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L'appartenance à la samba fait l'objet d'une controverse symbolique. Il y a des auteurs qui disent que la samba appartient à un certain secteur social, défini en termes de classe ou de race, comme Sodré, Matos, Lopes, Araujo, Rodrigues, Magno Siqueira ; et d'autres qui disent que la samba n'a pas de frontières, parce qu'elle appartient à tous les Brésiliens, comme Guimarães, Vianna, Sandroni, Caldeira. Les paroles de samba contiennent également des signes plus ou moins évidents de ce conflit. C'est pourquoi, dans ce livre, nous problématisons les discours des auteurs mentionnés...

There is a symbolic dispute about belonging to samba. There are authors who say that samba belongs to a certain social sector, defined in terms of class or race, such as Sodré, Matos, Lopes, Araujo, Rodrigues, Magno Siqueira; and others who say that samba has no borders, because it belongs to all Brazilians, such as Guimarães, Vianna, Sandroni, Caldeira. Samba lyrics also contain more or less obvious signs of this dispute. In view of this, in this book we problematize the discourses of the authors mentioned here and the lyrics of the sambas in the DVD collection Samba Social Clube, carrying...

There is a symbolic dispute about belonging to samba. There are authors who say that samba belongs to a certain social sector, defined in terms of class or race, such as Sodré, Matos, Lopes, Araujo, Rodrigues, Magno Siqueira; and others who say that samba has no borders, because it belongs to all Brazilians, such as Guimarães, Vianna, Sandroni, Caldeira. Samba lyrics also contain more or less obvious signs of this dispute. In view of this, in this book we problematize the discourses of the authors mentioned here and the lyrics of the sambas in the DVD collection Samba Social Clube, carrying...