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Robert Frost and a Poetics of Appetite reads Frost's poetry within a theoretical perspective generated, but not limited by feminist analysis, and it evaluates Frost's persistent feminizing of poetic language in ways that he typically dramatizes as both erotic and humiliating. Kearns examines how Frost's dual and potentially conflicting obligations--to be manly and to be a poet--inform his entire poetics. The study unites psychobiographical and feminist approaches to create an adept and imaginative instrument of interpretation.

A challenging rethinking of traditional theories, and redefinition of the genre, of realism.

Nineteenth-Century Literary Realism radically redefines the genre of realism, arguing that its political commitment to social reform--its earnest agenda--often enters into conflict with its formal demands. Obliged to portray life as truthfully as possible--often through the vehicle of describing tortured souls in a world out of sorts--realism must also satisfy ideological demands that may not jibe with that truth, leading to a crisis of form and function. By looking at these conflicts as peculiar to realism, Kearns reads as realist several texts usually considered too fantastic to fit the...

This book reads Frost's poetry within a theoretical perspective generated, but not limited by feminist analysis.