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The Los Angeles Review is a literary journal of divergent literature with a West Coast emphasis. Established in 2003, LAR publishes both the stories of Los Angeles, endlessly varied, and those that grow outside our world of smog and glitter. LAR seeks voices with something wild in them, voices that know what it means to be alive, to be fallible, to be human.

The Los Angeles Review is a literary journal of divergent literature with a West Coast emphasis. Established in 2003, LAR publishes both the stories of Los Angeles, endlessly varied, and those that grow outside our world of smog and glitter. LAR seeks voices with something wild in them, voices that know what it means to be alive, to be fallible, to be human.

"Welcome to Kate Gale's world. There are glass houses, a glass orchestra, sex on the roof. . . . Kate Gale knows her Bible and plays whatever music she wants on that musical instrument--but her musica is always fresh, and it achieves wisdom."--Ilya Kaminsky, author of Dancing in Odessa

"The clipped jumpy rhythm of these poems with their sudden bursts of syntax prove repeatedly that Kate Gale possesses a poetic tone and pace all her own. She is also refreshingly out of step with today's poetry of self-absorption, for she is fascinated less by her ego than by the strange variety of the...

"This book claims as its territory the indefinite spaces separating us: the ground where we move together and apart, the long curve desire describes and follows. Connection seems tenable as a jet trail, 'a seam, holding together / the two halves of the sky.' Kate Gale] Harper belongs in the company of Lorna Goodison, Margaret Atwood, Lucille Clifton all poets who write, with force and directness, what a woman lives. I think the secret of Harper s strength is this: from the middle of all loss, all bewilderment, her poems aspire to the condition of dancing.

Angela Ball,...