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In The Art of Adapting Victorian Literature, 1848-1920, Karen E. Laird alternates between readings of nineteenth-century stage and twentieth-century silent film adaptations to investigate the working practices of the first adapters of Victorian fiction. Laird's juxtaposition between stage and screen brings to life the dynamic culture of literary adaptation as it developed throughout the long nineteenth-century. Focusing on Charlotte BrontA's Jane Eyre, Charles Dickens's David Copperfield, and Wilkie Collins's The Woman in White, Laird demonstrates how adaptations performed the valuable...