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During the past century, the interpretation given by the various directors staging Greek drama has varied, and the critical reception accorded the productions has also altered. While the texts of Aeschylus, Sophocles, and Euripides remain constant, the meanings drawn from their plays do not. The director who decides to offer a Greek tragedy in the modern American commercial theater believes in the ability of the text to reach the contemporary audience, and the reviewers assess the success of the venture: their words become a record of both a particular performance and the time in which it...

In this fascinating addition to the "Classical Inter/faces" series, Karelisa Hartigan suggests that drama was regularly performed in the theatres built within or adjacent to the ancient sanctuaries of Asklepios. She argues that a pageant which showed the enactment of the god healing prompted the dream therapy the patient experienced at the sanctuary. Patients who viewed this drama were ready to receive the nightly ministrations of the deity, his attendants and his animals while they slept in the dormitory at the Asklepieion. To support her thesis, Hartigan discusses the mind-body...