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The purpose of this study is to bring to the forefront the lives and experiences of women artists within one context, the Women's Studio Workshop. In order to ensure that women artists have equal inclusion in the canon, we must record their lives and work (Sandell & Collins, 1997; Korzenik, 1990; Nochlin, 1971). In response to the lack of opportunities, U.S. women artists have organized for more than a century (Briggs, 1932; Skiles, 1975; Sturken, 1978). An upsurge of women's artist organizations occurred during the early 1970s feminist art movement as a part of the larger women's liberation...