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Justin Everett Foyil is a singer/songwriter now channeling his radical mindset into a unique breed of poetry. With everything from inspirational existence, artistic resistance, love, lust and the rest, this book of pages is only the beginning. This is an artistic movement encompassing the creativity within us all, with no bounds, from music, to poetry, to art in all its forms. We all are the ones that sway emotion. We all are the reason for change. We're the Drug. (And he loves his pops).

InA Minefield of Dreams: Triumphs and Travails of Independent Writing Programs, Justin Everett and Cristina Hanganu-Bresch highlight both cautionary tales and stories of resounding success that can inspire and provide paths toward addressing the challenges faced by faculty who lead independent writing programs (IWPs). More than a decade after O'Neill, Crow, and Burton's survey of IWPs and with attention to some of the same programs addressed in that collection the contributors to this collection assess the state of IWPs at a variety of American and Canadian institutions. The four...

When the pulp magazine Weird Tales appeared on newsstands in 1923, it proved to be a pivotal moment in the evolution of speculative fiction. Living up to its nickname, "The Unique Magazine," Weird Tales provided the first real venue for authors writing in the nascent genres of fantasy, horror, and science fiction. Weird fiction pioneers such as H. P. Lovecraft, Robert E. Howard, Clark Ashton Smith, Robert Bloch, Catherine L. Moore, and many others honed their craft in the pages of Weird Tales in the 1920s and 1930s, and their work had a tremendous influence on later generations of genre...